Charlie is holding a show of his recent works at his ANCA studio in Dickson on Wednesday 31st October from 6.00 pm. Charlie is picking up sticks (and other things) and joining the Canberra diasporic artists community in Melbourne. Let’s hope we don’t lose him altogether!
Charlie explains that with this body of work he is interested in margins, or very small quantities of things. In the studio I have collected small particles and applied them to surfaces. Sometimes these particles form larger particles. Things. I have used a tooth-pick to make dots, a shit load of dots. I roll a single die 650 times, each time pressing it into paint and then into paper. The exhibition Something like a Human is a bit mechanical and a bit human, but mostly its just me.
This project has been generously funded by artsACT.
Very soon ArtWranglers will have a list of works for sale which we’d be happy to email to anyone who’s interested, and we’ll be continuing to represent Charlie in Canberra, show new work on the blog, and plan for an “at home” show down the track. We’ll be posting images of this exhibition some time next week.
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1 SOMETHING LIKE A HUMAN // Oct 30, 2007 at 8:57 pm
[...] With this body of work Sofo continues with the essential ingredients of his art. A constant dimension of all of his work over the past three years has been a kind of revelation and celebration of the processes – an aesthetic of discovery whereby the processes of observing, conceiving, making, ordering, and presenting continue until the work reaches a definitive state of completion. Most often his materials determine the form of the work, and sometimes the materials are so ephemeral the completion of the work is a forecast of its own destruction. With his fascination for what evolves in front of his eyes, he neither predicts the final character of the work, nor is longevity one of his criteria. The primary pleasure for Sofo is in the discovery of the final form through its processes, and only secondarily whether the outcome is something which will appeal to others. There is also we suspect a kind of perverse pleasure in the (human) body at play. We imagine him looking at his hands and asking himself: “what have I got to work with today? Ah! that looks interesting!” and so the process begins which results in a perfect circle of 5. finger-grease, (paper, finger oil + grime), number 5. in this exhibition. You can see what Charlie has to say about it on the previous post. [...]
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