Yesterday ArtWranglers paid a lighting visit to Bermagui’s annual Sculpture on the Edge, and here’s the verdict of the drive-home jury: this furry “falling man” detail is from the work Pitch by Chloe Bussenschutt. While it may have been the least “sculptural” work in the show by traditional criteria, somehow its persuasive three dimensional illusionism and unlikely materials (carpet remnants, some branded “Tate Gallery”) has remained in our memory.

Elsewhere the good Burghers of Bermagui paid not the slightest attention to this flash (flesh) event by the installation artist Alice Fresco, who comandeers vacant plinths at events such as this. This work, Les Fillettes Mignons, is characteristic of Alice’s interventionist aesthetic.

In more relaxed mode, Suzie Bell and Berndt Weiss discovered this whimsical work Another famous cast for that Siren! by the photographer Wesley Stacey. If Wes was attempting to lure these water nymphs, clearly he was looking in the wrong direction! More tomorrow!